Monday, November 28, 2011

ADVANCED GRAPHICS FINAL:

ADVANCED GRAPHICS FINAL:
UWF Department of Art presents:
mixed tapes from the student collection

Your final poster design for the semester must use either a photograph taken by you or a classmate from inside the art department OR an illustration you have created yourself. The only found image or stock photo you may use is of an actual Compact Cassette Tape, there can be no other elements borrowed in or for the photograph.

This final poster will use Lucien Bernhard's Sachplakat strategy (the strategy, not the illustration style) to advertise a collection of mixed tapes created by UWF art and design students from the 1970's to now.

There can be no text other than:
UWF Department of Art presents:
mixed tapes from the student collection
(unless text appears hand written on the actual cassette, anything goes there... but one or a combination of the following is recommended:
Sculpture Mix, Photography Mix, Graphic Design Mix, Painting Mix, Drawing Mix, Digital Media Mix, Ceramics Mix, Printmaking Mix, Art History Mix)


UWF DOA Identity restrictions:
"UWF Department of Art" must appear in VAG Rounded BT (attached)
There are no color restrictions on the logo, nor does the name of the department have to appear inside the drips.

Size may be 11 x 17, 12 x 18, 13 x 19 OR 22 x 34. This poster must be posted to the wall by Wednesday, December 7th for our Final Critique during regular class time. Feedback from a classmate AND either myself or second classmate must be a part of the process before making your final edits and corrections. Suggestions, ideas, and corrections must be posted to the blog by the final critique.

Monday, August 22, 2011

Reading for Wednesday, August 24th

Page 1
Page 2
Page 3

Assigment due Wednesday, August 24th

Create a Gig Poster for a show, here at UWF, taking place this Saturday, August 27th, at 9pm in the CFPA Amphitheater.
Your poster should be posted your blog and to the wall in the glass hallway by midnight, Wednesday, August 24th. Your poster should attracted your demographic to the amphitheater by using design to convey a sense of mood, an attitude, and/or a musical genre.
*Your poster can use NO photos of the band.
*Your poster can use none of the band's graphic identity.
*Any found image used from the web CANNOT be scaled up for your design unless (unless and only if distortion and resolution problems are an intended part of the design)
*
Found images may only be used if and only if a found image collage is your intended effect
*A tabloid size design, printed on the laserjet 5550. Larger paper, if used, should be trimmed to 11x17.

Choose from one of the following bands for your project ONLY:
Jack's Mannequin

Switchfoot
Blind Pilot
St. Vincent
Grouplove
Girls
Madina Lake
Kevin Devine
Saves the Day
The Rapture
The Nightwatchman
Active Child
VersaEmerge

Monday, April 11, 2011

FINAL DATA VISUALIZATION/ INFORMATION DESIGN PROJECT

TIMELINE:
minimum dimensions of one side of this timeline is 22"
minimum number of timeline entries/increments is also 22
IDEA and preliminary SKETCH due APRIL 18th
Final Poster printed and posted to wall by APRIL 28th

Monday, March 21, 2011

New Blog Post - DUE WED. MARCH 23!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Find three examples of Info-graphics or Data Visualization that may influence or inspire the development of your own project.

Post these examples to your blog.

Discuss each example in terms of relevance to your own idea and usefulness to the development of your own project.

This must be posted to your blog by 8:30am, Wednesday, March 23rd.

Wednesday, March 2, 2011

Data Visualization and Infographics LINKS from class

Smashing Magazine Inspiration: Data Visualization and Infographics

1 chord and a fib (courtesy of Chris Edgar)

Victorian Infographics

Using Infographics to Study Character Relationships – ‘Jules et Jim’

DUE Wed., March 9th

Sketch and plan of attack for researching your INFOGRAPHIC / DATA VISUALIZATION project - posted to BLOG

DUE MONDAY, March 7th

2nd laserJet5550 proof of Abstract Design Problem, posted to the wall in the glass hallway

Wednesday, February 23, 2011

Abstract Design Problems

Post Abstract Design Problems to the board in the glass hallway by 8:30 am on Monday, Feb 28th.

Use the same board that has your non-written instructions or use the board just next to it. The board is half filled with typography. (boards B and C)

Wednesday, February 2, 2011

Teach a Martian to Tie a Shoe

Create a set of pictographic instructions using the illustration style developed in exercise one.
No Letters can be used in the project other than as a shape in a pictogram.
No more than two colors and black (and white) can be used.

For the week of 2/7 - 2/9:
You should get feedback from one classmate on your design. Paraphrase and post this feedback and your consequent actions (or lack thereof) to your blog.

Due 8:30 am, Monday, February 14th:
11 x 17 document posted to wall in glass hallway
electronic version of document posted to your blog

Wednesday, January 12, 2011

Wednesday, January 5, 2011

Pola Wren

Richard Humphreys

EXERCISE ONE : ICON Set



choose from one of the following typefaces:

Helvetica

Ariel

Chicago

Gill Sans

Peignot

Cooper Black

Century Schoolbook

Bodoni

Bembo

Didot

Baskerville

Garamond

Clarendon

Blackletter

Fraktur

Times New Roman

Research the history of the typeface.

Use the alphabet (converted to outlines in Illustrator) to create a set of 5-9 icons based upon imagery/art/industrial or product design from the time period. (cut up with the knife tool and reassemble)

Your icons should work together as a system and relate in terms of level of detail and scale.

Do not change the letters scale.

Do not skew or distort the letters.

Do not fill in the counters.

Do not change the underlying path of the letters.


(note: this project is an expansion of Hellen Lupton's class project "Helvetica Nation" for Graphic Design II at the Maryland Institute College of Art)

Working with restraints

Conveying ideas through minimal means

Relationships between contemporary design across discipline

Relating parts of a set as development of a style